Winter is a queer character, and [spoiler alert] so are their new parents, Bo and Fox <3. <\/p>\n\n\n\n For queer people, especially queer youth, and their families and friends, and those others who would use their words and power to hurt them, these stories are significant and important and necessary. <\/p>\n\n\n\n In November 2016, it finally\u2014finally\u2014<\/em>became legal in Queensland for same-sex couples to adopt a child<\/a>. <\/p>\n\n\n\n A 2005 paper published by the Australia Institute<\/a> reported that 35% of Australians believe that queerness\u2014in this case, homosexuality\u2014is immoral. In rural Queensland, where I live, and where Winter\u2019s Tale<\/em>\u2014if you squint\u2014might be set, the rate of reported queerphobia is over 50%<\/strong>. In my voting electorate, 50.7% of people voted against marriage equality. During the debate, I received hate mail both at home, and at my place of work (by email and in my inbox). Mail that equated queerness with pedophilia and other criminal activities. This widespread and largely unchallenged homophobia\/queerphobia is no doubt a contributing factor in the high rates of suicide among queer youth, especially those living in rural and regional areas of Australia, who are six times more likely than straight youth to commit suicide. 85% of queer youth, according to one recent survey, had experienced violence or harassment in the previous year. 85%. <\/p>\n\n\n\n Queer youth are six times more likely to commit suicide<\/strong> than their heterosexual, cisgender peers.<\/p>\n\n\n\n And in 2020, to add insult to injury, a writer we once thought was maybe\u2014just maybe\u2014an ally, then suspected wasn’t quite as woke as she had previously seemed, revealed that she’s a transphobic fool<\/a>. Frightened of sharing a bathroom, or a gender, with some of the most vulnerable members of our queer community. <\/p>\n\n\n\n A queer could weep. Has wept.<\/p>\n\n\n\n These are sobering facts and figures, and point to the widespread and largely unaddressed prevalence and very real dangers of queerphobia throughout Australia and the world. <\/p>\n\n\n\n A story like\u00a0Winter\u2019s Tale\u00a0<\/em>cannot rescue queer youth on its own\u2014no work of art can do that\u2014but it can contribute to the ongoing efforts of legislators, social justice workers, artists, teachers, community workers and families to nourish and protect our queer youth.<\/p>\n\n\n\n The various amazing works on the Norma K Hemming shortlist for short works (in alphabetical order by author surname are:<\/p>\n\n\n\n Grace Chan’s ‘The Mark’ is from Verge 2019: Uncanny<\/em>, published by Monash University Press. This story was also nominated for the 2019 Aurealis Awards Best Horror Short Story. Over on her blog, Grace shares that the story ‘is a psychological horror story inspired by the Capgras delusion<\/a>. It explores themes of womanhood, powerlessness and madness. It\u2019s also a little ode to such works as The Yellow Wallpaper<\/em>, by Charlotte Perkins Gilman, and Margaret Atwood\u2019s Alias Grace.’ <\/em>It’s an amazingly astute and thrilling story, beautifully executed. You can find a copy online here<\/a>.<\/p>\n\n\n\n Shauna O’Meara’s ‘Scapes Made Diamonds’ was published in Issue 280 of Interzone<\/em>. And it’s a totally AWESOME and DEVASTATING story, which may have made me cry. Shauna drew on her experiences as a vet to create the deeply felt and empathetic exploration of human-other relations in this story. Love, sacrifice, queerness, aliens. What more could you possibly want? You can find the whole amazing issue online here<\/a>. <\/p>\n\n\n\n Marlee Jane Ward’s ‘Rats’ from Kindred: 12 Queer #LoveOZYA Stories<\/em> (Walker Books). This is the first story in the collection, and it’s a really strongly imagined and emotionally appealing story about a queer homeless protagonist who lives underground–one of the Rats–but falls for a surface dweller. It’s much more than just a romance, however; things get complicated when her friends and family are caught and placed in captivity. Want to know more? You’ll have to read the book!<\/a><\/p>\n\n\n\n So, by now you have a goodly pile of to-reads in your pile. May I add one more?<\/p>\n\n\n\n![\"Blue](\"https:\/\/i0.wp.com\/www.perilousadventures.net\/blog\/wp-content\/uploads\/2020\/09\/bluehare.jpg?w=640\")
Oh! An update! Winter’s Tale <\/em>is a children’s novel, illustrated by Shauna O’Meara and published by Twelfth Planet Press in 2019. The story is about Winter, a young person who has been in the foster system all of their life\u2014ever since they were a blue baby found in a fruit box\u2014but never found a family that quite fit. The story follows Winter as they meet a new family who lives in a strange and magical city. The work is beautifully illustrated by Shauna O’Meara, with images that are as strange and thrilling as they are magical. Shauna has effortlessly captured the queerness of Winter, and of the world they inhabit, where the streets and buildings rearrange themselves every night and the Blue Hare haunts Winter’s waking dreams of belonging.<\/p>\n\n\n\nContext: why queer stories matter<\/h2>\n\n\n\n
The Hemming short works shortlist<\/h2>\n\n\n\n
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JS Breukelaar’s ‘Like Ripples on Blank Shore’, is the novella at the heart of her collection Collision: Stories <\/em>(Meerkat Press). Which … well, for starters, how can you not be intrigued by a story whose title is a line from Radiohead’s ‘Reckoner’? You cannot! In a great interview<\/a>, Breukelaar says that ‘the inspiration [of a song\/music] is at a deep, subconscious level\u2014at least for me less inspiration than oxygen’. ‘Like Ripples on a Blank Shore’ is an amazing short story from a superb collection. Go. Buy it now.<\/a> <\/p>\n\n\n\n![\"\"](\"https:\/\/i0.wp.com\/www.perilousadventures.net\/blog\/wp-content\/uploads\/2020\/09\/slatter.jpg?resize=150%2C113\")
Angela Slatter’s ‘The Promise of Saints’ from A Miscellany of Death<\/em> and Folly<\/em> (ed. Mark Beach, Egaeus Press) is luminous tale, spined by Angela’s vital and always engaging style, and marked, too, by her striking aesthetic, which so often combines powerful but dark femininity, the haunted and the haunting, and the threat and pleasures of violence. One of Slatter’s many works of marvellous strange distinction. Get yourself a lavishly beautiful copy here.<\/a><\/p>\n\n\n\nThe 2020 Hemming Award winner<\/h2>\n\n\n\n
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