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Category: On art and other catastrophes

Mirror/camera/phone

Posted on February 12, 2017May 18, 2017 by nike sulway

ADULT CONTENT WARNING: The following post contains images of nudity. And art.  Recently, I attended an excellent conference on the theme of excess and desire in contemporary women’s writing. One of the papers I attended included an analysis of Kim Kardashian’s nude IWD (International Women’s Day) selfie of 2016, using Sartre’s model of the three…

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sixty-seven (The wise and foolish virgins)

Posted on October 18, 2016October 18, 2016 by nike sulway

The parable of the ten virgins (also known as the parable of the wise and foolish virgins) was enormously popular during the Middle Ages. There are sculptures of the virgins in many French and German cathedrals, including the Notre Dame de Paris and Strasbourg Cathedral. Bach’s chorale cantata Wachet auf, ruft uns die Stimme (Awake, the voice calls…

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The first straw man (on writing about Others)

Posted on September 12, 2016September 13, 2016 by nike sulway

On September 8, Lionel Shriver gave a keynote address at the Brisbane Writers Festival that galvanised several people into action, commentary and anger. Yassmin Abdel-Magied walked out of the session and wrote about her reasons for doing so. Others have written in defence of what they saw as Shriver’s key message: that fiction writers, but…

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Soundtrack (Dying in the First Person)

Posted on February 16, 2016February 16, 2016 by nike sulway

I listened to a lot of classical music while I was writing Dying in the First Person. Mostly ABC Classic FM – so whatever they were playing when I sat down to write seeped into my consciousness and infected the prose. Perhaps as a consequence the main characters also listen to, and talk about, and write about,…

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The Butterfly’s Ball & The Grasshopper’s Feast

Posted on December 15, 2015December 15, 2015 by nike sulway

For the past few weeks I’ve been in Melbourne, on research leave, working on two novels (the endgame of one, the beginnings of another), attending conferences and  so on. One of the most excellent things I’ve been doing is messing about in the Monash University’s Rare Books Collection, most specifically having a wonderful time with…

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Power and Destruction (Tiepolo’s Cleopatra/Huysman’s Lee & Fitzroy)

Posted on November 21, 2015November 21, 2015 by nike sulway

In Book IX: lxviii of Pliny the Elder’s Natural History, the author tells a story about an unusual contest between Cleopatra VII Philipator (69-30BCE), and the triumvir of Rome, Marcus Antonius (83-30BCE). Nor, indeed, are these the most supreme evidences of luxury. There were formerly two pearls, the largest that had been ever seen in the whole…

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Saint Barbara

Posted on November 20, 2015 by nike sulway

A beautiful oak carving of Saint Barbara was purchased by the NGV in 1945, the last year of the war. She was first put on display in the Buvelot Gallery in February, 1946. In the National Gallery of Victoria’s quarterly bulletin (Volume II, No I, 1946) Daryl Lindsay* writes: The French saint … is sophisticated in treatment, and…

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Death and the m(AI)den

Posted on May 15, 2015May 15, 2015 by nike sulway

The following is the abstract for a paper I’m hoping to deliver at the upcoming inaugural conference of the Australasian Death Studies Network: Death, Dying, and the Undead: Contemporary Approaches and Practice. The conference (which I’ll be attending either way!) will be held at UCQ’s Noosa Campus on October 25 this year. Paper Title: Death…

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The girl in the red velvet swing

Posted on December 10, 2014December 10, 2014 by nike sulway

Gibson Girl Florence Evelyn Nesbit was born on Christmas Day in either 1884 or 1886 (her mother sometimes concealed her date of birth in order to get around those pesky child labour laws, so her true year of birth has been forgotten), in Pittsburgh, Pennsylvania. During her lifetime, she was said to be the most…

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are you reading this?

Posted on November 4, 2014August 10, 2015 by nike sulway

For months now, you have swung violently between demanding friendship, and demanding distance. You have threatened me with homelessness, and poverty. With truths and lies and legal action. You have tried to silence me, and tried to make me speak. You have raged against me, like a cyclone. You have invaded my privacy and undermined…

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